2009 Post season wrap-up, part 3

Well, we've come a long way this season, but it's finally over. The staff have checked out, my excavation computer and tape measure have been returned, and the excavation areas are all closed up and sandbagged for winter.

But how, you might ask, did we get from what you see in that picture to the left, to the cleanly defined walls and surfaces that showed up in the last couple of entries?

Okay, I'll admit: We used a big mechanical excavator for some of it. But not all that much, really -- most of the dirt was shifted by hand, by one of the best groups of volunteers that it's been my privilege to have worked with.

Now, it's true that there were times that the supervisors did a bit of work themselves. Why, I've even got a bit of photographic evidence to support that assertion: Here's Philip Johnson, busy with brush and gufah. But honestly, we spent most of our time making sure everything was going the way it ought to be, and filling things out on our trusty computers.

Which weren't the only responsibilities the staff had. Every week, there'd be a tour of one of the areas of excavation, which meant that we had to have our squares clean enough that people could see what was going on, and we had to give a little discussion of what it was that we've been finding. This was difficult for me, as I was never sure about what I was finding, but other people did an excellent job of explaining exactly what it was they had turned up.
Here, for instance, you can see the estimable Kate Birney explaining what's going on in Grid 51. As Kate is a high level black belt, I fear admitting that I'm not sure what's going on in her grid, but I can't say that I remember much of what she had to say. Please don't kill me, Kate.

And then there were the side projects. I had this blog, which I'm almost entirely done with. Other people were working on things like ceramics typologies, geology, zooarchaeology, and so on. As far as side projects go, this was actually a pretty modest effort -- maybe an hour or so a day, more when I had time for it. Unlike trying to sort out the Persian period material from previous seasons of excavation, say, which is something that involves, y'know, real work.

Sean Burrus, for instance, was one of the excavation's photographers, in addition to being a square supervisor. Here, you can see him taking a picture of me taking a picture of him taking a picture of . . . aaah! That was on one of the days where everyone in Grid 47 worked their tails off in 47.44, cleaning up after the excavator; you can see the effects of that day's work in the less than pristine shirts displayed. And that was in something like hour two of ten.

Not all the work that the volunteers did involved heavy lifting, of course. Unfortunately, I didn't get any good pictures of pottery washing, or of people writing on their potsherds, both of which are jobs that are absolutely necessary for the excavation, and both of which require constant attention to detail.
However, I did get a shot of Heather Calhoon using a pair of tweezers to sort hundreds of tiny beads. Again, something necessary, and certainly something that requires constant and focused attention. Heather may have gotten roped into doing that particular job as a result of being the registrar's sister; there are consequences to things like that.

Which isn't to say that the dig was nothing but work; there were also field trips, and, as the season drew to a close, a couple of parties, as well. First off was the finds display and reception; here you can see the registrar, Jessica Calhoon-Long, and Sara Hoffman standing behind the table, while everyone involved in the dig stopped by to look at some of what had been found over the last two seasons.

And, all credit to Jessica, it was a heck of a display. Some of that had to do with the quality of the finds, but more had to do with the choice of which finds to display, the logic of their arrangement, and the descriptions of each piece that Jessica wrote up. I'd love to show some of that work in detail, but the finds are the sort of thing that are going to be finding their way into peer-reviewed publications before too long, and it's generally considered bad form to put that sort of thing in public view before it can be properly published. But trust me: it's great stuff.

And, in addition to looking at the finds that had been so expertly displayed, a pair of hand made and decorated plates were presented to the director emeritus of the excavation, Larry Stager, and the excavation's sponsor, Shelby White, in recognition of the fact that they'd been with the project for twenty years. Which is really a significant amount of time to spend on a project; unfortunately, there's kind of a reason why I wasn't one of the dig's photographers, which can be seen in my failing to get a picture showing the decorated side of the plates.

And, on a similar note, I didn't get any pictures of the final party, which took place last week. Which is unfortunate, as it was an excellent party. There were extremely silly presentations, and a pair of music videos, which . . . well, if you weren't on the dig, you'd probably find them puzzling. But they were hilarious, honestly.

And that's about it, really. I'm not sure how many people have been reading this, but I do get the sense that it's more than one or two; for all of you who have been reading, thanks for your time, and I hope you've found it some combination of enjoyable, informative, or entertaining.

See you all around!

2009 Post season wrap-up, part 2

Now, while the stuff that I was talking about in the last entry might be interesting, it wasn't really what our excavation focused on this season; the two squares with the majority of the volunteers were on the east side of the area, and while my square was on the west, most of what we dug was huddled up against the eastern edge of the square.

No, while the stuff on the west looks a bit different than it did at the beginning of the season, the stuff in the east looks a lot different than it did at the beginning of the season. And we certainly learned a great deal of what had been going on there, at least during the Byzantine period.

As with the last entry, MS Paint has been used in an attempt to clarify.

This picture more or less picks up where the picture in the previous post leaves off; the wall that I've circled in red and labeled 2 matches the wall in the previous post that I had circled in red and labeled 1; the wall that I circled in black here and labeled 1 matches up with the one that I had circled in green and labeled 2.

Sometimes I make peculiar choices.

But anyway. The wall labeled 2 is earlier than any of the other features that can be seen in this picture, and was probably the wall of the apse of a Roman basilica. The wall labeled 1, on the other hand, was built later, and does not seem to have been part of a basilica at all.

One of the things that troubled us at the end of last season was the plaster structure which I've circled in green, and labeled 3; only a bit of it was visible at the time, so interpretation of it was postponed until this year.

And we do see rather a lot more of it this year, and we've got a theory about it, now: It's part of the seating of an Odeon, an indoor theater where musicians and poets would have performed (there are remains of a full scale theater in the Ashkelon National Park, perhaps a hundred meters to the south of where we excavated this season that hasn't been excavated. It wouldn't be unusual to have an odeon and a dramatic theater close to each other; if I'm not mistaken, most of the odeons that have been excavated are found close to theaters.)

Thus, the wall I labeled 1 would have been the rear wall of the odeon's seating, and the wall that I've circled in yellow, and labeled 4 would have been part of the banking of the odeon's seating -- the seats on our side would have been over the top of that wall, and the next block of seats would have continued from that level down. Or, depending on the size of the orchestra, that might have been where the performers would have stood; it's hard to tell without excavating more of the material to the north.

How the wall that I've circled in blue and labeled 5 fits in isn't entirely clear; it might have been a rebuild of the basilica that took place before the odeon was built. Whatever it was, it's covered over by the remains of the odeon, which means that it came before it.

And that is, more or less, what we've found in Grid 47 this year. But I've got at least one more post that I'd like to make; hopefully, we'll get to that tomorrow.

2009 Post season wrap-up, part 1

Well, the digging is done, the volunteers are gone, and much of the work that we had left to do after the season ended has either been completed or is well on its way to completion.

Which isn't to say that I've got nothing left to do; I keep feeling as though I'm about done with my paperwork, but it's a goal that seems to persist in moving toward the horizon. It's possible that I'll get into exactly why it's taking so long, but before that, I'd like to go through a bit of what we've done this season.

The first picture shows the western half of our excavated area, looking northward. Much of this was excavated by Garstang in the 1920s, but there's certainly a lot here that we've done. And I think that what we've excavated this season is helping us understand what had been visible since the 20s.

And, for the sake of explanation, I'm going to recourse to MS paint.

The wall of which we've got the longest contiguous piece is outlined in red, and labeled "1". For the moment, we're interpreting that as the apse of a Roman period basilica. The scale is about right, and that rectilinear room to the west of it is the sort of thing that you expect to see in a Roman period basilica.

One of the important things about this is that the straight walls extending to the west are bonded to the big semi-circular wall; that is, they're firmly attached to the semi-circular wall, with stones sitting half in one wall and half in the other. That's going to be important to understanding the wall that I've outlined in blue, and labeled 4. But let's not talk about that yet.

The other big wall in this half of the area is circled in green, and outlined in green. There area a couple of interesting things about this wall. First off, it does seem to be later than the wall I've circled in red; there's more of it left, for one thing, and there's also a small area (unfortunately not visible in the picture) where the green outlined wall actually covers a bit of one of the straight red outlined walls.

Which means that we have at least two phases of construction here. And this is where things get complicated. That bit of wall outlined in blue and labeled 4 starts off adjacent to the one outlined in red. But it's not bonded to it, so the assumption is that it was built after the red wall, but possibly while it was still in use -- if it was built after the earlier wall had gone out of use, it wouldn't have been fitted so neatly next to it, and might well have covered it, or been cut into it. So, let's say that this isn't a different phase of construction, but, rather, a later part of the same phase.

Now, all of the walls that we have had some of their stones robbed, and used in some other construction; we don't know how high they were when the buildings they were part of were in use, but judging by what we've found, and the trenches we've dug, we're looking at the foundations of a lot of these walls, and the floor levels for some of the others. In the case of the blue outlined wall, it was robbed out below where the current ground level is. But the material that filled in the trench made in the process of getting those stones is sufficiently different than the material around it that you can see the line of where the wall was, when it's very well swept, and the lighting is right. That may not be entirely true of the picture that I've taken, but I think that you can make out a bit of it if you click through on the picture without the scribbled lines. I've drawn brown lines on the edges of where that robber trench can be seen, and labeled it five.

Then you've got the somwhat lumpier wall that I've circled in yellow, and labeled 6. That wall is also semi-circular, and it goes on top of the robber trench material. So, for the moment, we're thinking that it's part of the later phase of occupation, and would have been in use at the same time as the big wall that I outlined in green.

Complicating matters, you have the two walls that I've outlined in white, and labeled 3. We don't know much about them, but they seem to be part of whatever was here before the basilica was built -- they either go underneath, or have been cut through in the process of making all the other walls. And we have the walls that I circled in pink, and labeled 7. These are the walls that Garstang built to preserve his open air museum.

Much of what I've been doing for the last few days is going through my notes, and showing, as clearly as possible, what is on top of what. And, hopefully, as the above demonstrates, that's more complicated than you might think; in a very small area, we had a bit of 7 standing on top of 6, which is on top of 5, which is on top of 4, which is on top of 3.

I've got a bit more of that to do, so I'm going to head off and do it. Hopefully, there will be a couple of more wrap-up posts when I'm done with that, and I'll try and explain what we think that second set of semi-circular walls were part of.

2009 season, days 28 and 29

I spent today in the pottery compound, catching up on reading, but there were certainly people out in the field today.

As can be seen by this pair of pictures. The first shows the square as we left it yesterday, and the next one as the people working there left it at the end of the day. And you can certainly see the difference -- for one thing, someone seems to have left a trowel there today.

Also, they left it clean, whereas under my direction, it was left a bit messy. Now, as there is a great deal of dirt still left in the picture I'm calling clean, you might not see what I'm talking about. But take a closer look, particularly at the area beyond the bottom step of that big byzantine wall.

You'll probably have to click through to see it, but just by sweeping away the loose dirt, they found another course of stones, almost connecting that wall to the section standing in what had been Garstang's open air museum. Which had been something that I wanted to look for, but which I hadn't had the time for on Monday -- I had to push pretty hard to get the last bits I wanted excavated finished by the end of the day, as it was our last day of excavation.

So, all in all, I'm pretty happy with what was done; there will probably have to be a final sweep before the pictures for the end of the season, but other than that, field work is more or less finished in 47.53. Which isn't to say that work is done -- we've got a few more crates of pottery to wash and read, and then there's all sorts of documentation that needs to be documented.

But not tonight!

2009 season, days 25 - 27.

Unfortunately, I missed a few days worth of blogging; the fast day took me out of the field for two days -- one for the fast itself, and the other for recovery. And, while I did get some pictures yesterday, I didn't have any time to write anything up, as we went directly from pottery washing to an Israel Antiquities Authority reception for the staff of the excavations active this season.

In general, I think that not having enough time to write things up is going to be the theme for the next week or so -- there's a great deal that has to be wrapped up, and I'm a bit behind on a lot of it. So, there's a picture, but not much explanation. I will say that the stone feature was taken out during the time I wasn't around, as was much of the dirt under it, and a decent chunk of the material to the south of the large wall. Today was the last day of real excavation; hopefully, I'll be able to document what's been happening over the next few days, but I'm afraid that'll have to take a back seat to getting all my work done on time. Still, since the site shouldn't be changing much from now until the end of the season, things I don't talk about should be around until I have a bit more time to post here.

2009 season, day 24

Today was a slightly shortened day, as everyone went off to see what was going on in another part of the tel, ending the day about an hour earlier than usual.

But, all the same, we got a lot done. The stone feature, for instance, is a lot smaller than it was before; the bits that remain do so because there's dirt behind them, and they are useful as a retaining wall, keeping that dirt in place until it can be excavated. Which should happen in the next few days.

In addition to finishing up our work on the stone feature, we also took out a chunk of dirt, leaving that curiously circular divot in the plaster that you can see in the middle of the picture, and we cleaned up the loosely plastered material that had been on the edge of the large plaster feature. What we didn't do was get everyone over to help with taking out the loose stones that seem to be related to Garstang's wall. That's now supposed to happen tomorrow; when that's done, we'll be more or less done excavating in the northern half of the square -- there's the dirt below the stone feature to dig, and the material left that relates to the large wall, and a bit of what lies to the south of it, but the northern half is more or less done.

Unfortunately, while there will be excavating done tomorrow, I'm not going to be supervising it -- tomorrow, by the Jewish calendar, is the seventeenth of Tammuz, which is a fast day that I'll be observing. And while work isn't prohibited, drinking water is, which makes excavating an extraordinarily bad idea. I do hope to be back on the site on Friday, when we're either going to be digging or working in the compound; hopefully, those rocks will be gone before I'm back in my square.

2009 season, day 23

Excavation continued today around that stone feature; we've brought the level of the material around it to that of the bottom of the feature, and cleaned off the face of the plaster that had been the outer face of the big wall.

Hopefully, there'll be one more picture taken early tomorrow morning, and then we can start taking the stone feature down.

The possibility exists that tomorrow we're going to get the volunteers from the square to the east to come and go through the loose rocks that we have at the edge of where Garstang's wall was. If that happens, I'm going to have to run around like a lunatic keeping an eye on everything. Which should be fun.